Where were you on April 1st? Yes, we’re serious!

Donors and supporters at "Franz Stampfl: The First Reel" event, April 1st 2012

Donors and supporters at "Franz Stampfl: The First Reel" event, April 1st 2012

April 1st is known to many as April Fools Day.  Whether it began, as some think, with Chaucer or from earlier Persian traditions, no one is truly sure.  All we knew for sure this April the 1st was that we were finally going to be able to share with our generous and supportive donors, colleagues and friends of “A Life Unexpected”, the first teaser footage from our filming in Europe last November.  And we weren’t joking!

St Catherine's School Headmistress, Dr Sylvia Walton AO with St Catherine's Old Girl and 1956 Olympian, Marg Woodlock-McLean

St Catherine's School Headmistress, Dr Sylvia Walton AO with St Catherine's Old Girl and 1956 Olympian, Marg Woodlock-McLean

We were delighted to see so many donors and supporters attend this invite-only function, which was held at the beautiful St Catherine’s School, Toorak with St Catherine’s School Headmistress Dr Sylvia Walton AO in attendance, pictured above with “A Life Unexpected” Associate Producer, event organizer and 1956 Olympian, Marg Woodlock-McLean (who is also an Old Girl of the school).

We are so grateful to have St Catherine’s support for this project and that we were able hold this event in the school’s historic main building – not only because the school has many connections to Franz Stampfl’s story, but also because it is a truly beautiful location and setting for any event – and matched in so beautifully with some of the interiors we had filmed in Europe, particularly Vienna, last year.

1956 Olympian, Marg Woodlock-McLean introduces Director, Sally McLean to the assembled crowd

1956 Olympian, Marg Woodlock-McLean introduces Director, Sally McLean to the assembled crowd

With over 60 in attendance, the afternoon began with the serving of excellent red and white wine, kindly donated by two more of our generous sponsors for the day – Morning Star Estate and Hickinbotham of Dromana - and finger food, during which time people wandered between the main Drawing Room and the adjacent Dining Room to look at the various static displays of photos, articles and other memorabilia from Franz’s personal collection, before moving into the Ballroom to watch “The First Reel” – a five minute teaser of the footage we filmed in Oxford, Dublin and Vienna featuring interviews with Sir Roger Bannister, Sir Christopher Chataway, Ulick O’Connor and members of the Stampfl family.

Director, Sally McLean, puts the final touches to one of the static displays of photos and articles in the Dining Room at St Catherine's for the event

Director, Sally McLean, puts the final touches to one of the static displays of photos and articles in the Dining Room at St Catherine's for the event

And we are very happy to say that the teaser was very well received by all in attendance.  As many in the room had donated to our last fundraising effort, this positive reaction meant a lot to us – as it was these people who had made it possible for us to undertake these interviews and we were thrilled they were so happy with the result – even if it was just a “sneak peek” they got to see!

Members of the Como Park jogging group: Izzy Wolf, Barry Bloom, Arnold Bram, Ron Rogers, Leon Worth and Saul Same with Dr Anton Stampfl

Members of the Como Park jogging group: Izzy Wolf, Barry Bloom, Arnold Bram, Ron Rogers, Leon Worth and Saul Same with Dr Anton Stampfl

It was truly lovely to meet all the members of the Como Park jogging group who were able to attend, many of whom spent time chatting with Franz’s son, Dr Anton Stampfl, who had taken over running their sessions after his father’s car accident in 1980 and came down from Sydney especially to attend the event.

Olympians Bob Joyce, David Boykett, Jim Barry, Pam Matthews and Marg Woodlock-McLean at the entrance to St Catherine's during the event

Olympians Bob Joyce, David Boykett, Jim Barry, Pam Matthews and Marg Woodlock-McLean at the entrance to St Catherine's during the event

We were also delighted to welcome Olympians, Bob Joyce, Pam Matthews, David Boykett, Jim Barry and Marg Woodlock-McLean who all wore their Olympic blazers for the event, adding dashes of the green and gold in among the crowd – very appropriate considering Franz’s involvement with elite athletes, especially in an Olympic year!

Members of the Melbourne filmmaking fraternity were also present, all of whom have supported this film with great generosity of spirit and their hard earned cash, as have those who have nothing to do with the film industry, but just want to support a story they feel should be told.  We are so very grateful and humbled by the support that has been shown by everyone and are now moving forward to the next fundraising phase with renewed passion and enthusiasm!

Special thanks must go to Director of Development at St Catherine’s School, Catherine Middlemiss, for going above and beyond the call of duty for us in the lead up to the event and on the day.  Also to Cristin O’Carroll who worked untiringly and with such lovely humour, again in the lead up and during the event.  We couldn’t have done it without either of you – thank you both!

Catherine also took all the lovely photos you see here – which will also be put up on the website over the next week.  While the teaser that was shown on April 1st will not be available publicly, as that was an exclusive donor event only, a short 30 teaser of the footage filmed will be made available in the next week online – so keep an eye out for that one!

And so, we are now onto Phase 3 of the Fundraising Drive for the film.  We have the goal of raising $40,000 by the end of June to enable us to film in Melbourne, Sydney, Canberra and the Gold Coast as well as get the 200+ rolls of Super 16 film Franz shot over his lifetime transferred to digital format.  It’s a big goal, but we know we can do it – with a little bit of help from our friends.

If you’d like to know more about how to donate – go to our donation page here: http://www.alifeunexpected.com/donate/index.html.  And we thank you for your support.

And onwards and upwards we go!

‘Till next update, take care and thank you all!

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New “A Life Unexpected” website launched!

New "A Life Unexpected" Web Site (Designed by Incognita Design)

New "A Life Unexpected" Web Site (Designed by Incognita Design)

We are thrilled to announce that the new website design is now completed and live on the web!  In between editing the new teaser (which will be available online soon) and helping to organize the recent exclusive donor and supporter event (which happened on the weekend – more on that in the next post), we have managed to redesign the site, featuring our striking new logo created for us by Tim Hoffman (see last post for more).

Let us know what you think! http://www.alifeunexpected.com

See you next update …

A Life Unexpected Production Team

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New title, new year and new fundraising push!

And so a New Year is here.  2012 has arrived and after a bit of a break, we are straight back into the film with renewed enthusiasm and focus!

Firstly, after much discussion, we’ve decided to change the title of the film.  To reflect the multi-faceted life of Franz Stampfl, the new title is “A Life Unexpected: The Franz Stampfl Story”.  You’ll see this change roll out over the website over the coming weeks and we are really excited at how this change of title has also brought about a change of energy!

A new logo for the film is being designed and will be unveiled sometime in February – it’s all happening!

We are also in the midst of our next Fundraising stage – raising the next lot of money to begin filming in Australia.  After the successful trip to England, Ireland and Austria in November last year, the ball is fully rolling on production and we intend to be filming the next lot of interviews with people such as John Landy, Ralph Doubell and others in late March/early April.

Of course, when we film entirely depends on how much money we have raised, so if you’d like to be a part of history and help support this important documentary project, then head over to our Donations Page to find out how you can help!

‘Till next update – hope everyone had a fabulous New Year!

Cheers for now …

Sally McLean
Director/Producer

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Farewell Europe – it’s been swell … now onto filming in Oz!

And so, it is finally over.  The first stage of filming for “Franz Stampfl: The Man Behind The Miracle Mile” is completed and “in the can” – or rather, on hard drives stored in my hand luggage with a back up copy in our Gaffer, Saraj Alkemade’s checked in luggage.  Saraj and I have just flown home from Vienna via Dubai while our DOP, Tim Egan takes a short break in Prague before following us back in just over a week’s time.

Saraj Alkemade at Vienna Airport with boarding pass

Saraj Alkemade at Vienna Airport with boarding pass

And we’ve done it.  Saraj and I had a moment at Dubai airport where we looked at each other and shared a high five in celebration of actually getting through the shoot in one piece and with all the interviews we intended to shoot captured on film – or rather, hard drive.  Shooting overseas is never easy, things always go wrong, mobile phone cards don’t work (that was a saga we went through twice – a story for another time), people get injured (turns out that was only me and it wasn’t debilitating, just painful!), equipment that had been pre-booked isn’t available when you get there, people who were supposed to be doing certain things for you while you are in the country don’t carry through, etc, etc.

Despite all that, we managed to get through it all without too much scarring or any long term dramas, but I have to say I’m glad to be home!

Putting aside any challenges we might have experienced over the last five days, Vienna was a lovely city to visit and I do intend to go back for a holiday so I can truly appreciate the beauty and grandeur of the surrounds and the lovely nature of the Viennese people.

Statues near the entrance to the Hapsburg Palace just up from the Spanische Hofreitschule (Spanish Riding School)

Statues near the entrance to the Hapsburg Palace just up from the Spanische Hofreitschule (Spanish Riding School)

Impressions of the city from my short encounter with it?  Impressive architecture that displayed proudly it’s previous standing as a city of emperors.  Warm people who laugh a lot.  A huge array of food – from Italian to fish & chips to traditional Austro-Hungarian fare.  I even found somewhere that did gluten free Wiener Schnitzel – which made me a very happy girl indeed!

Inside the Kunsthistorisches Museum (Museum of Art History), Vienna

Inside the Kunsthistorisches Museum (Museum of Art History), Vienna

Beautiful churches.  St Stephen’s Cathedral is stunning, but St Peter’s church was breathtaking.  History.  Everywhere, history!  Finding unexpected treasures – walking through Stadtpark on our last night and coming across Johan Strauss’ statue that I hadn’t yet seen – all lit up and framed perfectly against the dark sky.

Johann Strauss Monument at night in the Stadtpark, Vienna

Johann Strauss Monument at night in the Stadtpark, Vienna

Our fabulous penthouse apartment in the 5th District that looked over Vienna towards the centre of town that was covered in the owner’s own artwork.  The walks to Pigrimstrasse U-Bahn in the increasingly colder evenings.  The Bankomats.  Learning to automatically say “Dankeschon” and “Enschulegung” (the cabin crew thought I was German, because I couldn’t stop myself from saying it on the plane!).

Cinematographer Tim Egan getting closer to Mozart - via his statue, Vienna

Cinematographer Tim Egan getting closer to Mozart - via his statue, Vienna

And the interviewees in Vienna were lovely.  All Stampfl family members and all delightful.  Franz’s brother Otto was a joy – and I even found myself understanding some of the answers given in German – asking the next question before the interpreter could finish translating!

Interviewee, Otto Stampfl as seen between translator Arno Rupp and director, Sally McLean (Photo by Ingo Folie)

Interviewee, Otto Stampfl as seen between translator Arno Rupp and director, Sally McLean (Photo by Ingo Folie)

I would very much like to thank the following people who made the Vienna filming possible:

Firstly, Ernst Vogl from Location Austria at the Film Commission of Austria who deserves a big THANK YOU for all his help.  Nothing was too much trouble – he lined up all our equipment hire (and even drove us out to collect the lighting gear, then returned it for us) as well as securing the interview location itself: a suite at The Hotel Imperial – who, in turn, need to be thanked for their support and help with filming the interviews and for taking such good care of us while we were there.  Thank you Ernst for everything you did for us – I truly appreciate it and am forever grateful.

The Front Entrance to The Hotel Imperial, Vienna

The Front Entrance to The Hotel Imperial, Vienna

Arno Rupp very kindly agreed to translate from German to English for me for the first two interviews of the day – thank you Arno, you were great!  Gregor Stampfl translated for the third interview and Hedy Cech translated for the fourth and final interview.  I truly appreciate all their help and thank them all from the bottom of my German-language challenged heart.

And so we are now home.  Seven interviews in three different countries over ten days and we’re done for the first leg of filming.

Hedy Cech, Otto Stampfl and Sally McLean in the lobby of the Hotel Imperial, Vienna (Photo by Ingo Folie)

Hedy Cech, Otto Stampfl and Sally McLean in the lobby of the Hotel Imperial, Vienna (Photo by Ingo Folie)

It was a crazy, mad, thrilling time and a great start to the production of the documentary.  Once again I would like to thank Daniel Salter in England for acting as our Production Coordinator for London and Dublin and Ernst Vogl for the same in Vienna.  Also thank you to Daniel for being our stills photographer in the UK and Ireland and Ingo Folie for being our stills photographer in Vienna – both of them took beautiful shots of our interview subjects and behind the scenes stills of the production and I am truly grateful again to both.  We are slowly collating all the photographs and will post them on our Facebook page as they become available.

I would also like to thank Gear Head Ltd, who provided the Sony F3 camera and Zeiss lenses for the production and Video Craft for the use of the PL Mount for the 102.  Without their support we wouldn’t have been able to capture any of this on film and I highly recommend both companies if you are looking to hire (or in Video Craft’s case, also buy) equipment in Melbourne.  Gear Head are also based in Sydney and LA, so get in touch with them if you are looking to hire in any of those cities and tell them we sent you!

Finally – a big thank you to all our interviewees and to the production team back here in Oz who kept the home fires burning while we were away and all those who donated to the project to make this trip possible – we truly couldn’t have done it without your support!

And now, it’s onto the planning and pre-production phase for the first lot of Australian interviews.

Marg Woodlock-McLean and John Landy catch up at Government House during the official Governor's Reception, Sunday November 19 2011

Marg Woodlock-McLean and John Landy catch up at Government House during the official Governor's Reception, Sunday November 19 2011

After flying into Melbourne yesterday morning, I attended the 100th Anniversary of the Victorian Olympic Council Dinner at the Sofitel last night, then the official Governor’s Reception at Government House this afternoon with my mother, Marg Woodlock-McLean, and had the chance to catch up with some of the interviewees we will be speaking to on camera come January in Melbourne including John Landy, among others.  Our line up of Melbourne-based athletes as well as prominent figures from the Arts, Politics and Literature is shaping up to be an impressive one and I am truly looking forward to speaking to this next lot of interviewees on camera early in the New Year.

To find out more about how you can further assist this project and help us to continue filming, feel free to visit our donations page here.

Thank you to everyone for their support – onward and upwards we go!

Sally McLean
Director/Producer

 

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