Firstly, after much discussion, we’ve decided to change the title of the film.  To reflect the multi-faceted life of Franz Stampfl, the new title is “A Life Unexpected: The Franz Stampfl Story”.  You’ll see this change roll out over the website over the coming weeks and we are really excited at how this change of title has also brought about a change of energy!

A new logo for the film is being designed and will be unveiled sometime in February – it’s all happening!

We are also in the midst of our next Fundraising stage – raising the next lot of money to begin filming in Australia.  After the successful trip to England, Ireland and Austria in November last year, the ball is fully rolling on production and we intend to be filming the next lot of interviews with people such as John Landy, Ralph Doubell and others in late March/early April.

Of course, when we film entirely depends on how much money we have raised, so if you’d like to be a part of history and help support this important documentary project, then head over to our Donations Page to find out how you can help!

‘Till next update – hope everyone had a fabulous New Year!

Cheers for now …

Sally McLean
Director/Producer

Saraj Alkemade at Vienna Airport with boarding pass

And we’ve done it.  Saraj and I had a moment at Dubai airport where we looked at each other and shared a high five in celebration of actually getting through the shoot in one piece and with all the interviews we intended to shoot captured on film – or rather, hard drive.  Shooting overseas is never easy, things always go wrong, mobile phone cards don’t work (that was a saga we went through twice – a story for another time), people get injured (turns out that was only me and it wasn’t debilitating, just painful!), equipment that had been pre-booked isn’t available when you get there, people who were supposed to be doing certain things for you while you are in the country don’t carry through, etc, etc.

Despite all that, we managed to get through it all without too much scarring or any long term dramas, but I have to say I’m glad to be home!

Putting aside any challenges we might have experienced over the last five days, Vienna was a lovely city to visit and I do intend to go back for a holiday so I can truly appreciate the beauty and grandeur of the surrounds and the lovely nature of the Viennese people.

Statues near the entrance to the Hapsburg Palace just up from the Spanische Hofreitschule (Spanish Riding School)

Impressions of the city from my short encounter with it?  Impressive architecture that displayed proudly it’s previous standing as a city of emperors.  Warm people who laugh a lot.  A huge array of food – from Italian to fish & chips to traditional Austro-Hungarian fare.  I even found somewhere that did gluten free Wiener Schnitzel – which made me a very happy girl indeed!

Inside the Kunsthistorisches Museum (Museum of Art History), Vienna

Beautiful churches.  St Stephen’s Cathedral is stunning, but St Peter’s church was breathtaking.  History.  Everywhere, history!  Finding unexpected treasures – walking through Stadtpark on our last night and coming across Johan Strauss’ statue that I hadn’t yet seen – all lit up and framed perfectly against the dark sky.

Johann Strauss Monument at night in the Stadtpark, Vienna

Our fabulous penthouse apartment in the 5th District that looked over Vienna towards the centre of town that was covered in the owner’s own artwork.  The walks to Pigrimstrasse U-Bahn in the increasingly colder evenings.  The Bankomats.  Learning to automatically say “Dankeschon” and “Enschulegung” (the cabin crew thought I was German, because I couldn’t stop myself from saying it on the plane!).

Cinematographer Tim Egan getting closer to Mozart - via his statue, Vienna

And the interviewees in Vienna were lovely.  All Stampfl family members and all delightful.  Franz’s brother Otto was a joy – and I even found myself understanding some of the answers given in German – asking the next question before the interpreter could finish translating!

Interviewee, Otto Stampfl as seen between translator Arno Rupp and director, Sally McLean (Photo by Ingo Folie)

I would very much like to thank the following people who made the Vienna filming possible:

Firstly, Ernst Vogl from Location Austria at the Film Commission of Austria who deserves a big THANK YOU for all his help.  Nothing was too much trouble – he lined up all our equipment hire (and even drove us out to collect the lighting gear, then returned it for us) as well as securing the interview location itself: a suite at The Hotel Imperial – who, in turn, need to be thanked for their support and help with filming the interviews and for taking such good care of us while we were there.  Thank you Ernst for everything you did for us – I truly appreciate it and am forever grateful.

The Front Entrance to The Hotel Imperial, Vienna

Arno Rupp very kindly agreed to translate from German to English for me for the first two interviews of the day – thank you Arno, you were great!  Gregor Stampfl translated for the third interview and Hedy Cech translated for the fourth and final interview.  I truly appreciate all their help and thank them all from the bottom of my German-language challenged heart.

And so we are now home.  Seven interviews in three different countries over ten days and we’re done for the first leg of filming.

Hedy Cech, Otto Stampfl and Sally McLean in the lobby of the Hotel Imperial, Vienna (Photo by Ingo Folie)

It was a crazy, mad, thrilling time and a great start to the production of the documentary.  Once again I would like to thank Daniel Salter in England for acting as our Production Coordinator for London and Dublin and Ernst Vogl for the same in Vienna.  Also thank you to Daniel for being our stills photographer in the UK and Ireland and Ingo Folie for being our stills photographer in Vienna – both of them took beautiful shots of our interview subjects and behind the scenes stills of the production and I am truly grateful again to both.  We are slowly collating all the photographs and will post them on our Facebook page as they become available.

I would also like to thank Gear Head Ltd, who provided the Sony F3 camera and Zeiss lenses for the production and Video Craft for the use of the PL Mount for the 102.  Without their support we wouldn’t have been able to capture any of this on film and I highly recommend both companies if you are looking to hire (or in Video Craft’s case, also buy) equipment in Melbourne.  Gear Head are also based in Sydney and LA, so get in touch with them if you are looking to hire in any of those cities and tell them we sent you!

Finally – a big thank you to all our interviewees and to the production team back here in Oz who kept the home fires burning while we were away and all those who donated to the project to make this trip possible – we truly couldn’t have done it without your support!

And now, it’s onto the planning and pre-production phase for the first lot of Australian interviews.

Marg Woodlock-McLean and John Landy catch up at Government House during the official Governor's Reception, Sunday November 19 2011

After flying into Melbourne yesterday morning, I attended the 100th Anniversary of the Victorian Olympic Council Dinner at the Sofitel last night, then the official Governor’s Reception at Government House this afternoon with my mother, Marg Woodlock-McLean, and had the chance to catch up with some of the interviewees we will be speaking to on camera come January in Melbourne including John Landy, among others.  Our line up of Melbourne-based athletes as well as prominent figures from the Arts, Politics and Literature is shaping up to be an impressive one and I am truly looking forward to speaking to this next lot of interviewees on camera early in the New Year.

To find out more about how you can further assist this project and help us to continue filming, feel free to visit our donations page here.

Thank you to everyone for their support – onward and upwards we go!

Sally McLean
Director/Producer

Looking towards District 1 of Vienna from District 5 on Sunday morning

It is now Day 3 of our time in Vienna.

On Sunday morning we woke up to a thin layer of frost across the balcony of our penthouse apartment in Zentagasse (District 5 of Vienna) and the sound of birds combined with church bells ringing in the hour in waves over the city.

It was magical and a perfect start to our final leg of filming in Europe.

The rest of Sunday was spent seeing as much of Vienna as possible in one day with our hosts, Arno and Gottfried.  We saw palaces and churches, squares and palais and walked all over District 1, stopping for lunch and dinner in, funnily enough, two Italian themed restaurants!

Monument to victims of the Black Plague near St Stephen's Cathedral, Vienna (Tim Egan in foreground - some kid climbing on the monument behind)

The final stop for the day was the The Christkindlmarkt at Rathaus in Vienna (in front of the Town Hall), also called the Advent Market – full of people and lights and food and dozens of stalls selling everything from punsch to christmas ornaments to gifts.  The trees in the nearby gardens are all filled with lights, and dominating the scene is the huge Christmas tree in front of the Town Hall that has a life size Nativity scene beneath.  This was a truly special and Viennese sight and I am very glad we got to experience it – even for the short time we had to spend there.

The Christkindlmarkt at Rathaus in Vienna (in front of the Town Hall), also called the Advent Market

At the end of the day we took the U-bahn back to the apartment and fell asleep early knowing that today would be a busy one!

This morning we were up and off to the supermarket to get supplies for the next few days (just across the road from our flat, which was convenient).  Then breakfast was cooked and eaten before heading out into the cold again to sort out new mobile phone sim cards (word to the wise – if you are travelling around in Europe – either pay for international roaming for your own service back home or get a card in the UK and pay the international roaming charges from there.  From what we can work out it’s cheaper than the pay as you go sims elsewhere!).

Then it was off to do something else we felt typified Vienna – coffee and strudel at the Cafe Central.  Favourite haunt for Freud, Trotsky, a long list of other famous writers and poets and maybe not surprisingly (seeing as so many artists hung out there) Hitler (!), the Cafe Central is an elegant coffee house staffed by lovely people who speak perfect English with great food and coffee.  Me being unable to have strudel was very pleased to learn they had gluten-free chocolate mousse instead – so we all left feeling very happy!

The rather fabulous fare at the Cafe Central - gluten-free chocolate mouses and a Viennese Latte

Then it was off to collect equipment and begin sorting out everything for tomorrow.  Ernst from Location Austria was especially helpful, sorting out equipment from all over Vienna for us, as well as locking down our location for the interviews tomorrow – the Hotel Imperial.

Finally, by 7.00pm tonight, everything was done, all the equipment collected, interviewees confirmed, additional people who will be helping out called and locked in and so now it’s time for sleep before the very big day of filming we have tomorrow.

My impressions of Vienna so far?  Beautiful.  Elegant.  Ornate.  Friendly.  Breathtaking.  Somewhat overwhelming.  I wish I’d paid more attention in German class back at high school so I could say more than “Nicht sprechen ze Deutsch” and “Bitte” and “Danke schon” and “Auf wiedersehen” and “Wunderbar” and “Das ist gut” and “Guten morgen” and “Guten tag” and “Guten abend”.  There are a few more phrases I’m picking up – but I am finding myself truly embarrassed that I can’t speak to people here more fully in their native tongue.  Something I’ll have to fix for next time.

And if I have my way – there will be a next time!

Until tomorrow … guten nacht.

Auf Wiedersehen!

Sally McLean
Writer/Producer

The street outside our London flat

The sky is so clear tonight over London that I can see the almost full moon and some stars in between the street lamps and buildings in our little lane in Soho.  It is somehow a comforting sight and a lovely one to experience at the end of a rather crazy day.

I’m able to personally blog about this mad UK/Ireland/Austrian filming trip for the first time tonight after a week of highs and lows – what a week it’s been!

After a long, but relatively comfortable flight from Melbourne to London via Emirates (who I can’t praise enough – all their staff, from the team in their Melbourne office to their staff at Tullamarine to their cabin crews on the flights, were so lovely and efficient and helpful – if you’re going to fly long haul, you should fly with Emirates), we landed at Heathrow almost a week ago – but it seems somehow much longer!  The flat here in Soho (just off Tottenham Court Road) feels like home now – I’ll be sad to leave it on Saturday.  Roberto from London Life Apartments has been fantastic – going out of his way to make our stay comfortable and stress-free and I truly thank him for everything he has done for us during our time in London.

It doesn’t seem real that we only have a day left in London before heading off to Vienna for the last leg of this trip – but we will be, so it seems a good time to take a quick look back at what has happened so far …

Where to begin? Firstly, I must say a HUGE public thank you to Daniel Salter – our dedicated, unflappable, highly capable Production Coordinator (UK).  Daniel has worked for us tirelessly over the past week – from collecting us from the airport on our arrival to driving us back and forth to Oxford for two days, as well as to Gatwick today – and then in Dublin – which alone should win him a gold medal for stamina and good humour!  But he has also been a brilliant addition to the team, working as a third crew member assisting Tim and Saraj on set, carrying gear back and forth, as well as being our behind-the-scenes videographer and stills photographer while we are in the UK and Ireland.

THANK YOU DANIEL!  I couldn’t have managed this leg of the filming without your invaluable help and expertise and I will be forever grateful for all you’ve done for us while we’ve been here!  If anyone needs a reliable, talented and genuinely lovely Production person with a healthy sense of humour (who has also been a locations manager for a couple of other gigs), get in touch with me and I’ll put you in touch with Daniel.  I can’t recommend him highly enough.

Sunday saw me sorting out equipment collection and confirming our following two filming days as well as catching up with my old BBC boss and friend Roly Keating for a quick cup of tea (thank you again Roly for your advice and support!).  Other people I have to thank for Sunday are Sarah and Lee from KitHire.com who got all our lighting to us that evening, as well as Sound Operator, Steve Goldsmith for providing us with the sound equipment.  Steve and his fabulous wife came into Soho to meet us and we all went out for dinner that night at a local Thai place around the corner from the flat.  It was a lovely way to start our stay in London and I thank them both for making us feel so welcome.  If anyone is looking for a Sound Operator in London – get in touch and I’ll put you in touch with Steve, he’s a brilliant addition to any crew.  Video Europe had already given Daniel the grip equipment for us on the Friday before we arrived – and by the time Sunday night arrived we could hardly move in the lounge room of the flat for all the film gear!  I’m still not sure how Daniel packed all of it, plus us, into the medium sized people carrier he had procured, but somehow he did!

Our first day of filming was in Oxford with Sir Roger Bannister.  I have already mentioned the staff from Oxford University Sport Department, published in the previous blog – Shaun and Matt were a joy to work with and took such great care of us – affording us every bit of help they could, including letting us move furniture around and borrow pictures of Sir Roger from their front reception to hang on the walls of a meeting room as set dressing, to sourcing umbrellas and extra power cables – they were just brilliant and I am very grateful.

Natasha Bromhall (Oxford University Sport Dept.), Sally McLean, Sir Roger Bannister and Sir Christopher Chataway at Oxford during filming

Sir Roger was lovely – eloquent and entertaining, funny and genuine.  It was a pleasure to meet and interview him and I am so grateful for the opportunity to do both.  Sir Christopher Chataway on the Tuesday was delightful – making the effort to come down from London to Oxford to talk to us and was polished and professional as well as passionate in recounting his memories of his time working with Roger and Franz as an athlete.  I loved being able to finally meet him and his charming wife after months of email and phone calls and again was truly thrilled to spend time with him and hear his stories.  It was a fantastic way to spend two days in Oxford and I am so pleased that we could bring two old friends together again and capture it all on camera.

Wednesday was a rest day which saw me catching up with some old friends, as well as preparing for the following day’s filming in Dublin.  That night I saw Alistair Barrie (one of my best mates) comedy panel show “No Pressure To Be Funny” at the Leicester Square Theatre.  If you want a night of topical discussion that can at times be sidesplittingly funny due to a panel of four comedians and host James O’Brien (LBC Radio) – then I highly recommend you go see it.  There’s only one more show for this season (featuring Rich Hall!) – next Wednesday night, but they are also doing a Christmas special in December.  More information on their Facebook group page, or you can listen to the edited podcast of last night’s show here.

Then today dawned.  Well, more accurately, today dawned as we were making our way to Gatwick Airport – as we were up well before the dawn!  We were out of London by 6.30am and off to Dublin for the day to interview Ulick O’Connor – one of Ireland’s great writers and biographers.  Also a playwright and poet and one of Franz’s original Irish athletes, I was very much looking forward to meeting him.

On the road to Gatwick ...

First stop was a local pub for lunch, then onto CameraKit in Dublin to collect all the gear we had booked for Ulick’s interview.  And here I must stop for another thank you.  Jim and the team at Camerakit are brilliant.  Truly.  Not only excellent at what they do and their knowledge of film gear, they are also masters of the craic.  I don’t think I’ve laughed so much during a film equipment hire pick up in my life!  A massive thank you to Jim, David and the boys over there – if you need to hire any equipment in Dublin, then I highly recommend them: http://www.camerakit.ie/ (and I even got a hug when we returned the equipment at the end of the day – as well as a group farewell in the carpark – thanks guys!  I told you that I’d let the world know how great you all are!).

Once all the equipment was – again miraculously – packed into the car by Daniel, Tim and Saraj while I worked out the paper work in the office – we were off to interview Ulick.

Ulick O'Connor

What can I say about Ulick?  Erudite, sharp, funny, opinionated, eloquent, a beautiful writer and a true gentleman.  Also a poet and playwright, I found myself (while waiting for Tim, Saraj and Daniel to set up in another room), sitting in Ulick’s office while he read for me his poem “Requiem for a Nanny” – a beautiful work he had written about one of the major influencers of his life.  It was a truly surreal moment for me – sitting in a room piled high with books and papers, listening to the man who had written the plays “A Trinity of Two” (about Oscar Wilde) and “Brendan” (about Brendan Behan), amongst many others, read to me one of his evocative and absolutely sublime poems.  It was a moment to treasure and I know I will remember it for a very long time to come.

Ulick O'Connor

Ulick’s Assistant, Anna, was also there – and looked after us very well.  It was such a joy to interview Ulick and I know we were all delighted to spend those few hours with him – I wish we could have stayed longer, but sadly it was not to be this time.  After cups of tea and sherry in Ulick’s front room (and a present from him to me of two of his books – signed at my request, of course!), it was back to CameraKit to return the gear and then off to find a true Irish pub so that I could at least give my small, but hardy crew a chance to down a real Guinness.

Daniel Salter, Saraj Alkemade, Ulick O'Connor, Sally McLean, Anna Harrison and Tim Egan after filming Ulick's interview

I must stop here again for another thank you – Tim Egan and Saraj Alkemade, my dedicated and hardworking crew … THANK YOU!  You have got some beautifully lit and framed shots and clear, crisp audio, and it has been a joy to discover that we already have a short hand operating between us when conducting these interviews and that I do not need to do anything more than raise an eyebrow in question or give a look to have you understand what I’m thinking and showing me that you’re already doing it – no words required.  You have made this process so much easier with your expertise and experience and I am so grateful to have you on this journey with me.

Three Guinness’ (one each for the crew) and a Coke (for me) later and we were racing our way back to Dublin Airport, and in turn back to Gatwick, then home to London.

Tim, Saraj and Daniel get their pints of Guinness in a real Dublin pub before racing back to London

It was a crazy, mad day, but just brilliant and now, at 2am, I am winding down and just about ready for bed.  Tomorrow brings a few more quick catch ups with friends here and final checks for the next leg of travel and then it’s off to Vienna for the last stage of filming.

Forgive my lack of wittiness in this update – to be honest I am feeling very tired, but also feeling very privileged to have had the chance to spend time with such interesting and eminent individuals and interview them on camera.  It has been a brilliant way to begin filming for this project and I’m looking forward to the adventure of Vienna to come.

Until the next update … thanks for reading.

Sally McLean
Director/Producer

Sir Roger Bannister and Sir Christopher Chataway being interviewed by Sally McLean at Iffley Road, Oxford UK earlier today

While we have been silent here for the past few weeks – this wasn’t because nothing much has been happening with the film – quite the contrary!

Firstly, we’d like to thank all the wonderful individuals who so generously donated to the project during the second stage of fundraising.  Due to your overwhelmingly tangible support, we were able to raise $16,800.00, which, in turn, has enabled us to finally go into official pre-production and now, finally, filming.

And what a way to begin filming!  On Saturday, November 5th, Director Sally McLean, along with Cinematographer Tim Egan and Camera Assist/Gaffer Saraj Alkemade flew out of Melbourne on an Emirates flight to London to kick off our first round of interviews – the first two of which were with Sir Roger Bannister and Sir Christopher Chataway at the Iffley Road Track, Oxford.

Sir Roger and Sir Christopher were an absolute delight – both of them giving great interviews and making our production team’s first foray into exploring Franz and his work in athletics on camera a very memorable one indeed!

Cinematographer Tim Egan setting up a shot at Oxford

Sir Roger was first, being interviewed on Monday, with Sir Christopher coming in this morning to be interviewed on his own, before being joined by Sir Roger later in the morning and sharing some joint memories on camera of their time working with Franz in the lead up to Roger running the first sub four minute mile – and beyond.

Sally, in particular found the experience quite moving:

“It wasn’t until after the final joint interview with Sir Roger and Chris that I suddenly realised how momentous these interviews truly were – and yet also how touching.  Watching and listening to the two of them together was so funny and life-affirming.  Here were these two men who had achieved so much in their own lives and been awarded with the highest honour in the land – knighthoods – and yet watching them together, they seemed like the young 20-somethings they were over sixty years ago when the world first learned their names from their involvement in the events that took place on the very track we were interviewing them on today.  I felt very blessed to have met both of them and spent time with them talking about what they had achieved and their experience of knowing and being coached by Franz.”

L-R: Sally McLean, Sir Roger Bannister and Sir Christopher Chataway make their way to the stadium for the joint interview

Sally also added:

“I am also so very grateful to all the staff at Oxford University who work at The Iffley Road Sports Complex – Facilities Manager, Shaun Fleming and Sports Manager, Matt Queralt in particular looked after us so well and made our time filming at the Iffley Road Track (now called the Roger Bannister Track) very easy and stress-free.  They afforded us every courtesy and we are so very thankful for all their help and support over the past two days.”

Our team finished the two day Oxford shoot earlier this evening and are now attempting to further get over their jet lag before heading out to Dublin on Thursday to interview respected poet, biographer and commentator, Ulick O’Connor.  Traveling with them on the UK leg of the tour is Production Coordinator (UK), Daniel Salter, who is also doubling as the camera operator for the UK “making of” footage, as well as stills photographer.  Daniel, a local to London, will also be traveling with the team to Dublin, so we look forward to being able to post more of these great photos from him for you all to see!

To finish – we’ll leave you with this shot of the crew with Sir Roger and Sir Christopher, taken at the Iffley Road Track in Oxford earlier today by Oxford University staff member, Natasha Brompton.

And stay tuned for more updates as they come to hand!

L-R: Daniel Salter, Sally McLean, Sir Roger Bannister, Sir Christopher Chataway, Tim Egan and Saraj Alkemade at the Iffley Road Track, Oxford, November 8th, 2011

We’re currently seeking donations for the first leg of filming – interviewing Sir Roger Bannister and Sir Christopher Chataway in November in the UK about their time training with Franz.  This documentary is time-critical – we HAVE to start filming in November, otherwise we may miss out on getting these important people on camera.

And you can help – with donations, with spreading the word about the project, with letting people know the project is happening.  The more people who know about this project, the more likely it is we’ll get it made!

If you’d like to know more about the film and how you can help, please visit the official website: http://www.franzthemovie.com/donate

We hope you enjoy the video and look forward to your support!

Cheers,

Sally McLean
Director/Producer

See the video on YouTube: The Man Behind The Miracle Mile – Video Diary Introduction

More updates coming soon …

We are delighted to announce that Director, Sally McLean, on behalf of Franz Stampfl: The Man Behind the Miracle Mile has been approved to be officially listed on the AbaF Australia Cultural Fund (ACF) register for fundraising purposes for the project.

What does this mean?

Essentially, this means that we can now raise money for the project via the ACF within Australia via donations from individuals and companies – AND – we can therefore offer you a tax deduction for your donation of $2 (two dollars) or more!

We have already raised $10,000 via the AbaF back in 2007, thanks to the wonderful generosity of a very supportive individual – which has enabled us to get the project to it’s current position – ie. ready to start shooting and editing. And so now the next stage begins …

So, how does this all work and who are the AbaF Australia Cultural Fund anyway?

The AbaF (Australian Business Arts Foundation) is a national organisation which connects the arts, business and donors. They work with businesses large and small, arts organisations of all types, individual artists, trusts and foundations. They provide advice, professional development, volunteering and networking opportunities.

The Australia Cultural Fund (ACF) is the AbaF’s free arts donation service and was established to encourage people to donate to the arts and to enable artists, including filmmakers, to benefit from this generosity. Artists and arts organisations can register to use the service which enables their donors to make tax deductible donations to the fund*.

Donations are paid in full as grants once approved by the AbaF Board. A total of more than $7 million has been donated to the arts through AbaF.

Artists and arts organisations apply to the Fund for consideration to be registered with the AbaF Australia Cultural Fund.  Once approved, they are listed on the ACF website and provided with both an online and PDF form for use to request donations for their project.

Sally McLean has been listed as an individual artist (filmmaker) for the project on the AbaF Australia Cultural Fund register.  All monies raised via the AbaF will go directly to the project.

• To see our listing on the Australian Cultural Fund (AbaF) website, click here.
• To go straight to our online donation form, also on the ACF website, click here.
• Or you can download a PDF version of the donation form to print, fill out and post, here.

So – are you up for the challenge? Looking to get involved and support an exciting new project that fills in some of the missing pieces on the Australian sporting and historical landscape? Or, more prosaically, do you need to get a tax deduction this year?

Then this is the adventure/project/solution for you!

Click on any of the links below to begin the process of financially supporting Franz Stampfl: The Man Behind the Miracle Mile and become involved in a unique piece of Australian and sporting history!

• To see our listing on the Australian Cultural Fund (AbaF) website, click here.
• To go straight to our online donation form, also on the ACF website, click here.
• Or you can download a PDF version of the donation form to print, fill out and post,here.

Got questions? You can email us at info(at)franzthemovie(dot)com.  Or you can call the AbaF on (03) 9616 0300 for more information.

Your support is truly appreciated.  Thank you!

* Family members of recipients cannot donate through AbaF and receive a tax deduction.

L-R: Dr Anton Stampfl and Marg Woodlock McLean join the team behind the documentary "Franz Stampfl: The Man Behind The Miracle Mile"

We are delighted to welcome two new team members to Franz Stampfl: The Man Behind the Miracle Mile – Dr Anton Stampfl (Associate Producer) and Marg Woodlock-McLean (Associate Producer).

Anton has been working with the production team for the past month, making his father’s vast archive of footage, photographs and personal papers available to us for research for the project, as well as putting us in touch with many different people who knew his father over his life.  Anton’s involvement with the project has infused it with new energy and we are all very excited about the new directions the project is now taking with him on the team.

Marg Woodlock-McLean is one of the catalysts behind this project coming to be – being one of Franz’s original Australian squad back in 1956 and mother of Writer/Director, Sally McLean.  A 1956 Olympian (Shot Put) and Australian Champion, Marg is working with the team to coordinate all the athletes who are to be interviewed on screen, as well as organizing to gain access to the athlete’s personal collections of photographs, recordings and papers.

We welcome both Marg and Anton to the project and are looking forward to working with them in the coming months as the project progresses.

Read Anton’s biog here.
Read Marg’s biog here.

The Man Behind The Miracle Mile New Website Screenshot

We are very happy to announce the re-launch of Franz Stampfl: The Man Behind The Miracle Mile official website – with built in functionality, an example of which is this blog (for news updates and communication with the general public).

In accordance with our desire to keep people better informed about the project, we have also just launched our Facebook page for the project, which you’ll find here.  And a Twitter profile for quick updates, which you will find here.

Things are moving forward with the project and we are very excited with recent developments.  And now, with all this communication, we can keep everyone in the loop much more easily!

We look forward to hearing from you and receiving feedback, etc as the project progresses.